Videoclips

  • Friis-Hansen
    Dana Friis-Hansen: Digital Identity
  • Pyotr 2.jpg
    Piotr Szyhalski: Poem To My Audience
  • ConsalvoThumb
    Mia Consalvo: Video Games
  • chuck.80
    Chuck Olsen: Blogs
  • joe_amato_2pix
    Joe Amato: E-Writing
  • dj_apooky_small.jpg
    DJ Spooky: Music
  • jesse_k_small_
    Jesse Kriss: Digital Music
  • jim_ockuly_pix_samll
    Jim Ockuly: New Media
  • robert_small_small
    Robert Nideffer: Video Games
  • katie_samll_small.jpg
    Katie Salen: Video Games
  • paul_pix_small
    Paul Frett: Just Getting Started
  • lawrence_small_pix
    Laurence Bricker: Interactive/Exploration

Recommended

  • LanguageNewMedia.jpg
    Language of New Media
  • NewMediaReader.jpg
    New Media Reader
  • WagnerTo.jpg
    Wagner To Virtual Reality
  • HamletHolodeck.jpg
    Hamlet on the Holodeck
  • Grau.jpg
    Grau: Virtual Art

December 2005

Sun Mon Tue Wed Thu Fri Sat
        1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31

Main | October 2003 »

Tuesday, September 23, 2003

Gallery Show and Videos from the Digital Arts Festival

The Digital Arts Festival continues in the Carleton Art Gallery with "State of the Art: Maps, Stories, Games and Algorithms from Minnesota," curated by Steve Dietz. Not to be missed. Also check the short videoclips by Festival presenters at the left.

Don't Miss These 4-minute Documentaries on Festival Events! [Quicktime]

yorke_pix_smallsmall.jpg Jennifer Yorke, Printmaker: Andrew Bartels & Karina Hill

media_pix_smallsmall.jpg Be A Digitial Director: Wade Johnson & Matt Swanson

engine_room_small_small.jpg Dave Ryan & Pat Kelley's Enging Room: Adam Hoel & Andy Evans

blog_pix_smallsmall.jpg Blogging 101: Katie Visco & Shelley Getzendanner

DJ Spooky Party Pictures Here

Wednesday, September 24, 2003

Dana Friis-Hansen: "Am I Not A Number?" Digital Art, Identity, and Contemporary Portraiture

Boliou 104, 7 p.m. [A Robert Lehamn Art Lecture sponsored by the Department of Art & Art History]

Dana.jpg

Artists have mined this rich territory from the beginning of art, exploring of physical, psychological, and social subtexts within representation of the self. And today, by mixing media and ideas from digital technologies, the parameters of portraiture can be pushed even further. To the Registry of Motor Vehicles, the IRS, or my Internet Service Provider, "Who Am I?" becomes less of an existential question than a data management one. To the Electronic Freedom Foundation, it becomes one of priviacy and free speech. Rather than a complicated human bundle of emotions, memories, and dreams wrapped around a skeleton, I am a database--information. Some of the most interesting artists today are interweaving the traditional issues of portraiture and identity with the wide possibilities of digital media.

Dana Friis-Hansen is the Executive Director of the Austin [Texas] Museum of Art. He graduated from Carleton in 1983. Burson.jpg

Genomic Art
Nancy Burson
Nancy Burson: Seeing and Believing
Nancy Burson: Race Machine
Karin Sander
Notime Project

Please Note: On Thursday, September 25 [Boliou 104, 7 p.m.] Friis-Hansen will speak on "Japanese Photography since 1980: Internationalism, Individualism, and the Institutionalization of Photography." The talk is based on his highly-successful exhibition The History of Japanese Photography.

[Image: Nancy Burson: "Mankind" 2002]

Monday, September 29, 2003

Piotr Szyhalski: Open Dinner Conversation

Language & Dining Center, 6:00 p.m. [Room 113]

Piotr Szyhalski [see below] will join anyone interested for an informal conversation at dinner.

Piotr Szyhalski: The Spleen

Boliou 104, 7 p.m. [Sponsored by the Department of Art & Art History]

szyhalski.jpg
Piotr Szyhalski came to the United States in 1990 from his native Poland to teach at the School of the Museum of Fine Arts, Boston, and has since maintained a furious pace of teaching, publishing, performing, and exhibiting his work internationally; and winning grants and awards. Possessing two MFAs from the Academy of Visual Arts in Poznan, Poland--one in drawing, the other in poster design--Szyhalski began producing art on the Internet in 1995. His work “The Spleen” has been featured in numerous publications, including Wired, Hotwired, I.D., The New York Times, Wall Street Journal, Applied Arts, Public Art Review, Details, Speak, Blvd., WEB, Minnesota Monthly, City Pages, Star Tribune, and Pioneer Press. At MCAD, Szyhalski mentors graduate students and teaches graphic design, illustration, Fine Arts, and Liberal Arts, including his popular “POLIT-PROP: Art for the Broad Masses of the People,” through which students study the historical and contemporary concepts of propoganda art. His recent work has focused on installation, sound and performing stage-based works. His new show will open at the Minneapolis Institute of Art on October 9. Piotr Szyhalski is Associate Professor at the Minneapolis College of Art and Design (MCAD).

::::::::

SzyhalHeart.gif

Szyhalski on “The Spleen”: Webster's Third New International Dictionary defines “spleen” as: the seat of emotions and passions; the source of laughter; any of various passions or emotions or their manifestations; violent mirth or merriment; laughter; a fit of anger, malice, or bad temper; a sudden impulse; caprice; a proud courageous impetuous temper; manly spirit; high-spiritedness; latent malevolence or spite; violent feelings of anger or spite especially when suddenly and explosively released; extreme lowness of spirit; depression; melancholy.

As the People's Blood Reservoir, The SPLEEN works towards the growth and nourishment of the cultural capital of the Masses. Recognizing the Internet as a vital environment for intellectual enrichment, The SPLEEN serves the People by way of artistic proposition built on the belief in the Three Guiding Principles:

SzyhalHand.gif1: Art is an experience induced by the ideas communicated through the language of forms. Only the spiritual is important, but only the material exists. Objects are mere representations of ideas: they serve as a direct expression of our hope for art, and are not the art itself.

2: There is only one art, and the one art is indivisible. The ideal of art knows no divisions: media, styles, and disciplines refer to the material character of the work, thus prove irrelevant.

3: Art belongs to the People. The fulfillment of any artistic proposition depends on the People's participation in the dialogue. Parties involved in the presentation as well as perception of the information equally share the responsibility and privilege of ownership.

The Spleen
Contact Sheet 113 [Exhibition at Light Work“ Fall, 2001]
The Final Analysis
Steve Dietz on ”The Final Analysis“
Ding an sich